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Editor’s Note: Readers should be aware that this post contains a discussion of rape in A Streetcar Named Desire, and rape culture, which may be triggering.  I’m going to preface this blog post with a trigger warning for mentions of rape, sexual assault, and David Hookstead’s often-controversial social justice ideology. When I read A Streetcar…

Van Gogh Attends Poker Night: Post-Impressionism in A Streetcar Named Desire

Post-impressionism was a movement in art in the 1880s which Vincent Van Gogh was at the forefront of. “Through the use of simplified colors and definitive forms, their [post impressionist’s] art was characterized by a renewed aesthetic sense as well as abstract tendencies” (Voorhies). Tennessee Williams creates a sense of immediacy by using these techniques to…

Trapped! Cultural Location of Women in “The Prologue” and A Streetcar Named Desire

In an early lecture on Anne Bradstreet, Professor Steele introduced to us the concept of “cultural location.” Bradstreet, for example, operated within a Puritan society that discouraged women from writing, forcing her to conceal beliefs contradictory to or dubious of the accepted religious and social norms. Bradstreet navigates these limitations through irony.  For example, in…